Charles Acland is Professor and Concordia University Research Chair in Communication Studies. He is author of Screen Traffic: Movies, Multiplexes, and Global Culture (Duke UP 2003), Youth,Murder, Spectacle: The Cultural Politics of ‘Youth in Crisis’ (Westview/Perseus, 1995), and most recently Swift Viewing: The Popular Life of Subliminal Influence (Duke UP, 2012). He is editor of Residual Media (University of Minnesota Press, 2007), Harold Innis in the New Century: Reflections and Refractions (McGill-Queen’s UP,1999) with William Buxton, and  Useful Cinema (Duke UP, 2011) with Haidee Wasson. With Katie Russell, Acland edits the Canadian Journal of Film Studies/Revue canadienne d’études cinématographiques.

http://www.filmstudies.ca/journal/
http://coms.concordia.ca/faculty/acland.html
http://arthemis-cinema.ca/

Swift Viewing – http://www.dukeupress.edu/Catalog/ViewProduct.php?productid=15542
Screen Traffic – http://www.dukeupress.edu/Catalog/ViewProduct.php?productid=8044
Youth, Murder, Spectacle – http://www.westviewpress.com/book.php?isbn=9780813322872
Harold Innis in the New Century – http://mqup.mcgill.ca/book.php?bookid=634
Residual Media – http://www.upress.umn.edu/book-division/books/residual-media
Useful Cinema – http://www.dukeupress.edu/Catalog/ViewProduct.php?productid=18840